Blackmagic Design a mis à jour DaVinci Resolve avec la version 12.5.1 qui est valable pour les 2 versions du logiciel la version Lite et la version Studio. Cette update apporte la lecture Proress à Windows qui ne nécessite plus désormais l'installation de Quicktime pour lire ce format.
DaVinci Resolve 12.5.1 :
Parmi les nouvelles mises à jour, on notera une amélioration des performances des fonctions de Trim et de lecture multicaméras, il dispose de son propre code 64 bits natif pour lire et écrire les fichiers au format .mov.
De plus, les utilisateurs de Mac Os X, Windows et Linux obtiennent les nouveaux Plugins Resolve FX avec une accélération GPU. Cette mise à jour supporte désormais le Sony X-OCN, DNxHR 444 avec couche alpha, les clips AVCHD .mts etc...
Pour ceux qui possèdent la version Studio, ils auront des outils 3D en plus, un support pour les étalonnages en Dolby Vision, des améliorations sur les filtres Resolve FX etc....
De plus, les utilisateurs de Mac Os X, Windows et Linux obtiennent les nouveaux Plugins Resolve FX avec une accélération GPU. Cette mise à jour supporte désormais le Sony X-OCN, DNxHR 444 avec couche alpha, les clips AVCHD .mts etc...
Pour ceux qui possèdent la version Studio, ils auront des outils 3D en plus, un support pour les étalonnages en Dolby Vision, des améliorations sur les filtres Resolve FX etc....
Les nouveautés du DaVinci Resolve 12.5.1 :
Les améliorations en montage :
• Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
• Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
• Added ability to import and export duration markers using EDL
• Added the ability for clips to snap to their own markers when adjusting In and Out points
• Improved consistency of edit functions when Timeline is in full screen mode
• Added support for box wipe mode for offline reference wipe
• Added ability to extract AAF import log information as timeline markers
Les améliorations en couleur correction :
• Improved performance for Spatial Noise reduction in Better mode
• Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
• Added ability to apply grades from a reference wipe using the viewer context menu
• Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
• Next node and previous node operations now loop around the node graph
• The ‘displayed’ node graph now automatically updates when the current still is changed
• Swapping nodes now also swaps the node labels
• Rippling grades now also copies node labels, Power Window labels and node cache settings
• Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
• Added support for left eye and right eye grades for the timeline node graph (Studio version)
• Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
• Added ability to convert a mono clip into stereoscopic 3D (Studio version)
• Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
• Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
• Added support copying DolbyVision grades using stills and middle click (Studio version)
• Improved 3D and Qualifier panel layout in dual screen mode
• Improved behavior to stay on the same frame when joining two clips
Les améliorations sur les effets ResolveFX :
• Added ResolveFX Generate Color (GPU accelerated)
• Added ResolveFX Tilt-shift Blur (Studio Version)
• Added support for anamorphism in ResolveFX Lens Blur (Studio version)
• GPU acceleration support for ResolveFX Lens Flare (Studio version)
• Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
• GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
• Improved ResolveFX Scanlines and added various composite modes
• Ability to view the ResolveFX Scanline layer without the background
• Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
• Added support for horizontal/vertical ratio in ResolveFX Glow
• Added support for pan and tilt on ResolveFX Prism Blur
• Improved performance for ResolveFX Light Rays
• Improved performance for ResolveFX JPEG Damage
• Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
• Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
• Added ability to import and export duration markers using EDL
• Added the ability for clips to snap to their own markers when adjusting In and Out points
• Improved consistency of edit functions when Timeline is in full screen mode
• Added support for box wipe mode for offline reference wipe
• Added ability to extract AAF import log information as timeline markers
Les améliorations en couleur correction :
• Improved performance for Spatial Noise reduction in Better mode
• Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
• Added ability to apply grades from a reference wipe using the viewer context menu
• Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
• Next node and previous node operations now loop around the node graph
• The ‘displayed’ node graph now automatically updates when the current still is changed
• Swapping nodes now also swaps the node labels
• Rippling grades now also copies node labels, Power Window labels and node cache settings
• Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
• Added support for left eye and right eye grades for the timeline node graph (Studio version)
• Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
• Added ability to convert a mono clip into stereoscopic 3D (Studio version)
• Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
• Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
• Added support copying DolbyVision grades using stills and middle click (Studio version)
• Improved 3D and Qualifier panel layout in dual screen mode
• Improved behavior to stay on the same frame when joining two clips
Les améliorations sur les effets ResolveFX :
• Added ResolveFX Generate Color (GPU accelerated)
• Added ResolveFX Tilt-shift Blur (Studio Version)
• Added support for anamorphism in ResolveFX Lens Blur (Studio version)
• GPU acceleration support for ResolveFX Lens Flare (Studio version)
• Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
• GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
• Improved ResolveFX Scanlines and added various composite modes
• Ability to view the ResolveFX Scanline layer without the background
• Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
• Added support for horizontal/vertical ratio in ResolveFX Glow
• Added support for pan and tilt on ResolveFX Prism Blur
• Improved performance for ResolveFX Light Rays
• Improved performance for ResolveFX JPEG Damage
Les améliorations Media :
• Added new Import Media options to File menu and Media Pool context menu
• Added support for stereoscopic 3D clips in Media Management (Studio version)
• Added support for display drive names in Media Storage on Windows
• Addressed issues with open file location from Media Pool on Linux
• Added Source Name tag support for filename without extension
• Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips
Les améliorations sur les codecs et les formats :
• Added support for ProRes decode on Windows
• Improved QuickTime decode and encode performance on Windows
• Support for UHD H.264 renders on Windows
• Improved QuickTime decode and encode performance on Linux
• Added support for HEVC (H.265) decode on Linux
• Added support for alpha channel in DNxHR 444
• Added support for the Sony X-OCN format
• Added support for various AAC encode parameters on macOS
• Added support for QuickTime AAC audio encoding on Windows
• Added support for encoding QuickTime Photo JPEG files
• Added support for decoding AVCHD files from the Sony NEX-FS700 camera
• Added support for V-Gamut in RCM for improved Panasonic camera image handling
• Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
• Addressed decoding of last frame in some Panasonic AVCHD clips
• Improved handling of AVCHD .MTS clips
• Added support for RED SDK v6.2.1
Les améliorations générales :
• Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
• When running DaVinci Resolve in window mode, the macOS dock is now visible
• Improved latency for remote grading (Studio version)
• Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
• Improved behavior when creating render jobs on locations without write permissions
• General performance and stability improvements
• Added new Import Media options to File menu and Media Pool context menu
• Added support for stereoscopic 3D clips in Media Management (Studio version)
• Added support for display drive names in Media Storage on Windows
• Addressed issues with open file location from Media Pool on Linux
• Added Source Name tag support for filename without extension
• Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips
Les améliorations sur les codecs et les formats :
• Added support for ProRes decode on Windows
• Improved QuickTime decode and encode performance on Windows
• Support for UHD H.264 renders on Windows
• Improved QuickTime decode and encode performance on Linux
• Added support for HEVC (H.265) decode on Linux
• Added support for alpha channel in DNxHR 444
• Added support for the Sony X-OCN format
• Added support for various AAC encode parameters on macOS
• Added support for QuickTime AAC audio encoding on Windows
• Added support for encoding QuickTime Photo JPEG files
• Added support for decoding AVCHD files from the Sony NEX-FS700 camera
• Added support for V-Gamut in RCM for improved Panasonic camera image handling
• Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
• Addressed decoding of last frame in some Panasonic AVCHD clips
• Improved handling of AVCHD .MTS clips
• Added support for RED SDK v6.2.1
Les améliorations générales :
• Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
• When running DaVinci Resolve in window mode, the macOS dock is now visible
• Improved latency for remote grading (Studio version)
• Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
• Improved behavior when creating render jobs on locations without write permissions
• General performance and stability improvements
Autres articles :
DaVinci Resolve 12.5 Lite : le livre de formation de 470 pages.
DaVinci Resolve 12 : Travailler avec des versions ou en Remote sur un clip (#video68).
DaVinci Resolve 12 : Utiliser une version Locale ou Remote d'un clip (#video69).
DaVinci Resolve 12 : Créer des groupes de clips pour l'étalonnage (#video70).
DaVinci Resolve 12 : La fonction Color Trace de la Page Edit (#video71).
DaVinci Resolve 12 : Ouvrir plusieurs projets simultanément (#video72).
DaVinci Resolve 12 : Trier la timeline en mode A ou C (#video73).
DaVinci Resolve 12 : Utiliser les marqueurs, drapeaux, recherche de clip (#video74).
DaVinci Resolve 12 : Travailler avec des versions ou en Remote sur un clip (#video68).
DaVinci Resolve 12 : Utiliser une version Locale ou Remote d'un clip (#video69).
DaVinci Resolve 12 : Créer des groupes de clips pour l'étalonnage (#video70).
DaVinci Resolve 12 : La fonction Color Trace de la Page Edit (#video71).
DaVinci Resolve 12 : Ouvrir plusieurs projets simultanément (#video72).
DaVinci Resolve 12 : Trier la timeline en mode A ou C (#video73).
DaVinci Resolve 12 : Utiliser les marqueurs, drapeaux, recherche de clip (#video74).
Un peu de technique vidéo :
Comprendre les fréquences d'image.
Les règles de la composition d'image
Apprenez les règles du cadrage.
Le format MXF en post-production.
Le guide des aspects Ratios pour les vidéastes.
Apprenez à gérer l'harmonie de vos couleurs pour vos designs.
L'échantillonnage vidéo c'est quoi ?
La prise de son avec son DSLR.
Choisir son microphone pour son DSLR ou sa caméra.
Comprendre les formats d'enregistrement vidéo : RAW, LOG ou REC 709.
Le mode LOG en enregistrement vidéo.
L'utilisation du False Color en tournage.
LUT ou LUT ?.
Les trois plus grosses erreurs d'étalonnage commises par les débutants.
Trucs et astuces pour un bon étalonnage.
Les règles de la composition d'image
Apprenez les règles du cadrage.
Le format MXF en post-production.
Le guide des aspects Ratios pour les vidéastes.
Apprenez à gérer l'harmonie de vos couleurs pour vos designs.
L'échantillonnage vidéo c'est quoi ?
La prise de son avec son DSLR.
Choisir son microphone pour son DSLR ou sa caméra.
Comprendre les formats d'enregistrement vidéo : RAW, LOG ou REC 709.
Le mode LOG en enregistrement vidéo.
L'utilisation du False Color en tournage.
LUT ou LUT ?.
Les trois plus grosses erreurs d'étalonnage commises par les débutants.
Trucs et astuces pour un bon étalonnage.